LipiArt creates financial value for digital artists creation, we have all the crucial ingredients to make sure your art is safe and authentic from the very first time it enters our volt. For most collectors, if they know the original version exists, they …

Lippi painted Florentine masterpieces such as The Annunciation and the Seven Saints before moving to the cities of Spoleto and Prato where he produced his career defining monumental works, respectively, Stories of St John the Baptist and St …

Filippo Lippi O.Carm. (c. 1406 – 8 October 1469), also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters.

Filippo Lippi lived in the XV cent., a remarkable figure of Italian Early Renaissance. Find more works of this artist at Wikiart.org – best visual art database.

Fra Filippo Lippi (born c. 1406, Florence [Italy]—died October 8/10, 1469, Spoleto, Papal States) was a Florentine painter in the second generation of Renaissance artists.

Artist: Fra Filippo Lippi (Italian, Florence ca. 1406–1469 Spoleto) Date: ca. 1440. Medium: Tempera on wood. Dimensions: 25 1/4 x 16 1/2 in. (64.1 x 41.9 cm) Classification: Paintings. Credit Line: Marquand Collection, Gift of Henry G. Marquand, 1889. Object Number: 89.15.19.

Oct 1, 2004 · Filippino Lippi was among the most gifted and accomplished Florentine painters and draftsmen of the second half of the fifteenth century. He was born around 1457, the product of a famous and illicit relationship between the painter Fra Filippo Lippi and the …

In 1496 Lippino painted the Adoration of the Magi now in the Uffizi, a very striking picture, with numerous figures.

These are the 12 most famous paintings by Filippino Lippi, who was a 15th-century Florentine, Early, and High Renaissance painter. He was very famous and had a good reputation throughout Italy.

Sep 19, 2020 · Filippo Lippi is one of the many significant Italian Renaissance artists of the Quattrocento. His works, while religious in context, reinvented the representation of biblical figures. His application of color and experimentation with naturalism allowed for a new way of viewing religious imagery.