Psycho: Directed by Alfred Hitchcock. With Anthony Perkins, Vera Miles, John Gavin, Janet Leigh. A secretary on the run for embezzlement takes refuge at a secluded California motel owned by a repressed man and his overbearing mother.

Psycho: Directed by Gus Van Sant. With Vince Vaughn, Anne Heche, Julianne Moore, Viggo Mortensen. In Gus Van Sant's remake of Alfred Hitchcock's classic, young female bank employee Marion Crane steals money from her boss in Phoenix, flees town, and arrives at Fairvale, California's rundown Bates Motel, which has secrets of its own.

Psycho (1960) cast and crew credits, including actors, actresses, directors, writers and more.

But on her single night at the motel, she finds out it was a mistake to choose this motel, as she finds its young depressed manager's mother an unrelenting psycho. —J. S. Golden

Psycho III: Directed by Anthony Perkins. With Anthony Perkins, Diana Scarwid, Jeff Fahey, Roberta Maxwell. Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter.

A remake of Alfred Hitchcock's Psycho, the film is about Marion Crane, who after stealing $400,000 cash, leaves town and ends up at the Bates Motel where she meets the troubled Norman Bates who seems to be dominated by his mother.

Psycho II: Directed by Richard Franklin. With Anthony Perkins, Vera Miles, Meg Tilly, Robert Loggia. After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.

Psycho: Directed by Alfred Hitchcock. With Anthony Perkins, Vera Miles, John Gavin, Janet Leigh. A secretary on the run for embezzlement takes refuge at a secluded California motel owned by a repressed man and his overbearing mother.

From Richard Attenborough as the real life Christie in "10 Rillington Place" to the hideous, unredeemable Christian Bale in "American Psycho". Here Hitchcock and Herrman create an universe that Anthony Perkins inhabits with the same kind of electricity, nerve and shyness that Norman Bates projects throughout the film.

Hitchcock later said, "Thirty-three percent of the effect of Psycho was due to the music." Ironically, he was originally adamant that there should be no music in the shower scene but he was persuaded by his wife to give it a try.