
Brett Gamboa - Google Scholar
Staged Realism and the Paradox of Shakespeare's Audience. Shakespeare's Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. Sarah Dustagheer....
Brett Gamboa: books, biography, latest update - amazon.com
Brett Gamboa (Ph.D. Harvard) is Assistant Professor of English at Dartmouth College. He teaches Shakespeare and other dramatic literature, as well as courses...
Brett Gamboa’s Brilliant Take on Doubling (and a lot of related …
The book is Brett Gamboa’s Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage. Professor Gamboa (of Dartmouth University) is the best kind of scholar …
Brett Gamboa – The Conversation
Brett Gamboa is an Assistant Professor of English at Dartmouth College, where his teaching and research focus mainly on Shakespeare in performance. He joined the Dartmouth faculty...
Brett Gamboa | ASSISTANT PROFESSOR OF ENGLISH, …
Brett Gamboa is Assistant Professor of English at Dartmouth College. He arrived at Dartmouth in 2010 after completing his Ph.D. at Harvard. His teaching and research focus on …
In the Spotlight: Dartmouth Welcomes New Professors (part 1 of 2)
Brett Gamboa, Assistant Professor of English (photo by Joseph Mehling ’69) CV: Gamboa holds a PhD from Harvard and is an experienced director of Shakespeare. His directing credits include …
The Play’s the Thing: Thumbing Through a First Folio - Dartmouth
Apr 22, 2016 · “It’s very rare to have any, so the fact that we have one is sort of amazing,” says Shakespearean scholar Brett Gamboa, an assistant professor of English. Even more rare, …
Brett Gamboa_百度百科
Brett Gamboa(布雷特·甘博亚),1971年9月14日出生于美国加利福尼亚州,达特茅斯教授于2010年完成博士学位后,在哈佛大学讲授莎士比亚和其他戏剧文学课程,他的写作和研究主 …
Shakespeare's Double Plays: Dramatic Economy on the Early …
May 30, 2018 · In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to …
Shakespeare’s Double Plays age, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting …
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