The 1176 Peak Limiter is a dynamic range compressor introduced by UREI in 1967. Derived from the 175 and 176 tube compressors, it marked the transition from vacuum tubes to solid-state technology.

This is an original, 38 year old UREI 1176LN rev. H limiter. The Rev. H 1176s are the highest spec 1176 ever made, the best sounding and most reliable of all versions, lettered A thru H.

Feb 16, 2025 · Upon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near …

It featured ultra-fast attack and release times and a broad palette of sonic malleability ranging from inconspicuous compression to flamboyant distortion. Its Class A output stage, which incorporated a custom overwound transformer, always delivered sweetly musical results that quickly earned the 1176 a home in pro studios worldwide.

In 2000, the sons of Bill Putnam Sr. resurrected Universal Audio to make authentic reissues of the legendary gear from Urei. Their first release was the 1176LN, based primarily on revisions C, D and E of the most famous FET compressor in history.

The 1176LN utilizes soft knee compression and limiting, which is generally preferred for most musical applications; hard knee compression or limiting is more often used in applications where instrumentation (such as broadcast transmitter towers) must be …

The Model 1176LN has an input impedances of 20, 000 ohms when used in a balanced, differential input configuration, and 10, 000 ohms when used unbalanced ( one side grounded) . This makes the device suitable for use with any normal source impedance, low or high.

Mar 23, 2025 · The Urei 1176LN Rev. C, D, and E are considered the best revision of this classic compressor. They use a Class A amplifier, transformers in the input and output stages.

The Urei 1176LN Rev. C, D, and E are considered the best revision of this classic compressor. They use a class A amplifier, transformers in the input and output stages. It’s definitely the favorite among engineers and producers on vocal chains. All three revisions use the very same circuit.

While the 1176 has seen a huge number of revisions in its history, the most significant revision to the 1176 circuit was designed by UREI engineer Brad Plunkett in an effort to reduce noise — hence the birth of the 1176LN (LN stands for low noise) at revision C. Numerous design changes followed, resulting in at least 13 revisions and ...