Staged Realism and the Paradox of Shakespeare's Audience. Shakespeare's Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. Sarah Dustagheer....

Brett Gamboa (Ph.D. Harvard) is Assistant Professor of English at Dartmouth College. He teaches Shakespeare and other dramatic literature, as well as courses...

The book is Brett Gamboa’s Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage. Professor Gamboa (of Dartmouth University) is the best kind of scholar-practitioner, and his book is essential reading for anyone seriously thinking about …

Brett Gamboa is an Assistant Professor of English at Dartmouth College, where his teaching and research focus mainly on Shakespeare in performance. He joined the Dartmouth faculty...

Brett Gamboa is Assistant Professor of English at Dartmouth College. He arrived at Dartmouth in 2010 after completing his Ph.D. at Harvard. His teaching and research focus on Shakespeare’s plays in performance, though he has taught courses exploring a range of artistic media, from lyric poetry to contemporary television.

Brett Gamboa, Assistant Professor of English (photo by Joseph Mehling ’69) CV: Gamboa holds a PhD from Harvard and is an experienced director of Shakespeare. His directing credits include productions of Macbeth, All’s Well that Ends Well, Twelfth Night, The Winter’s Tale, and Henry V.

Apr 22, 2016 · “It’s very rare to have any, so the fact that we have one is sort of amazing,” says Shakespearean scholar Brett Gamboa, an assistant professor of English. Even more rare, Gamboa says, is that, at Dartmouth, students, faculty, and the community can view the First Folio not under glass, but up close.

Brett Gamboa（布雷特·甘博亚），1971年9月14日出生于美国加利福尼亚州，达特茅斯教授于2010年完成博士学位后，在哈佛大学讲授莎士比亚和其他戏剧文学课程，他的写作和研究主要集中在莎士比亚的戏剧表现。 他正在撰写一本关于莎士比亚的舞台剧，为即将到来的诺顿莎士比亚带来性能行的评论，和肖的心碎之家的文章加倍的作用。 布莱特奖学金是由他担任戏剧导演，同时具有专业公司和校园安装制作，其中包括10莎士比亚的戏剧。 最近的作品包括错误的喜剧和阿瑟· …

May 30, 2018 · In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic.

Shakespeare’s Double Plays age, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting requirements for the plays Shakespeare wrote for the company between 1594 and 1610, and describes how using the embedded c