Boy brings Alamein marijuana to sell from a crop grown by Dallas and Dynasty's father, a member of a local gang. Alamein, uncomfortable with being called 'Dad,' convinces Boy to call him Shogun instead. Boy begins to see himself as an adult and a Crazy Horse, growing distant from his …

Mar 18, 2012 · When the reprobate ex-con shows up after a years-long absence, declaring himself the leader of a gang called Crazy Horse and insisting that everyone call him Shogun, Boy takes him at his word.

Instead of calling him 'dad', Alamein wanted Boy to call him 'Shogun' because it seemed less formal. This title is shadowing the fact that the Shogun was the head of the military in Ancient Japan. As well as this, the Shogun overthrew the Emperor and took control of the country.

Boy (Rolleston), a scrawny twelve-year-old with an affinity for Michael Jackson, is tasked with watching his younger brother Rocky and a slew of cousins while his grandmother is away, but things get wild when Boy's estranged, criminal father (Waititi) reappears.

Sep 23, 2018 · New Zealand filmmaker Taika Waititi’s comedy-drama Boy (2010) that explores the complexity of familial dysfunction and hero worship through a Māori (indigenous people of New Zealand) perspective.

Apr 25, 2012 · Boy idealizes his absent father as a version of Michael Jackson. He and Rocky live with his grandmother, who leaves for a funeral in an opening scene. Then a big ol’ car comes swerving up a country road in a cloud of dust, and the man at …

Boy, an 11-year-old child and devout Michael Jackson fan who lives on the east coast of New Zealand in 1984, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.

May 31, 2022 · But Alamein leans into the myths Boy has created for him, asking Boy to call him Shogun and telling his sons he's returned to hunt for buried treasure. As the film unfolds, it develops into a...

Dec 6, 2021 · Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.

Home > Film Reviews > International Film Reviews > Taika Waititi’s Boy: Exploring Masculinity from an Indigenous Perspective > Taika Waititi’s comedy-drama ‘Boy’ (2010) – Alamein and Shogun helmet