Dec 10, 2019 · Adolf Loos’s minimalist attitudes are reflected in the works of Le Corbusier, Mies van der Rohe, and many other modernists and led to a fundamental shift in the way architects perceived...

Adolf Franz Karl Viktor Maria Loos [1] (German pronunciation: [ˈaːdɔlf ˈloːs]; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture.

Adolf Franz Karl Viktor Maria Loos (10 December 1870 – 23 August 1933) was an influential Austrian and Czechoslovakian architect of European Modern architecture and a leading critic in the field of construction and design.

Adolf Loos played a vital role for exposure of international style architecture. Plain facades, undecorated horizontal windows, open plans, flat roofs and white walls aroused opposition too but soon Loos’s style bagged popularity among young generation of architects.

Nov 28, 2021 · Perhaps one of the most famous instances in history was the precedent set by Adolf Loos and his desire to break away from Viennese tradition with his strong dissent of ornament in architecture...

Adolf Franz Karl Viktor Maria Loos (10 December 1870 to 23 August 1933) was a Czechoslovak and Austrian architect, influential European philosopher, and modern architecture social critic. He served as a modernist inspiration and a well-known Art Nouveau movement critic.

Aug 20, 2019 · Adolf Loos (December 10, 1870–August 23, 1933) was a European architect who became more famous for his ideas and writings than for his buildings. He believed that reason should determine the way we build, and he opposed the decorative Art Nouveau movement, or, as it was known in Europe, Jugendstil.

Adolf Loos was an Austrian architect whose planning of private residences strongly influenced European Modernist architects after World War I. Frank Lloyd Wright credited Loos with doing for European architecture what Wright was doing in the United States.

Loos' work, although varied in style, is best known for a period of houses of highly stereometric form and white color. The ornamentation of the exteriors was greatly simplified. The interiors were, in contrast, highly complex spatially and materially luxurious.

Adolf Loos has been described in the annals of architectural and design history as the individual most responsible for introducing the principles of abstract, austere, orthogonal design into numerous pre-World War I Viennese buildings.'