A collection of songs made to fight against the worries that keep me from expressing myself. The 2 Mello limiters are off now.

2 Mello January 11, 2022 CREATING SOUNDS OF TOKYO-TO FUTURE PART 1: INTRO AND “BREAK DOWN BREAK UP” Part 1 of a blog on the creation of the album Sounds Of Tokyo-To Future.

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Jan 19, 2023 · It’s really hard to make synth/keys as effortlessly cool as the ones you hear in 2-step music, but I tried my best to pick really unique and lively sounds. I’m particularly proud of the pluck starting at 0:40 that expands and contracts its …

2 Mello December 5, 2024 3 Comments. Facebook 0 Twitter LinkedIn 0 Reddit Tumblr Pinterest 0 0 Likes. Next. CREATING SOUNDS OF TOKYO-TO FUTURE PART 16: FUTURE UNWRITTEN AND OUTRO. 2 Mello January 27, 2023. Subscribe. Sign up with your email address to receive periodic updates on new releases or announcements. Email Address.

Mar 3, 2022 · It also integrated surprisingly well with the cartoony “boing” sound at 2:30. I recorded myself doing five different voices singing the horn melody for the “choir” at the end with my mind on the way the vintage choir sample from “Oldies But Happies” sounds.

Jan 18, 2022 · — 2 Mello (@MelloMakes) February 1, 2020 “RAVE SHIT” became the debut single for the album for a simple reason: it was the only song that was even close to done when I needed to figure out my promo.

Feb 23, 2022 · What happens is, I essentially start making a romantic soul song with a new pack of samples, and chopping the hell out of one guitar sample to my heart’s content. The first 90 seconds of “LUV 2 LUV” are a jumpy electronic track full of proclamations of love in the vocal samples; the following 80 seconds of breakdown is the actual love song.

Jan 4, 2022 · That’s all for now—I’ll be discussing track 2, “Life On The Line” here next Tuesday, January 11! Above: Full view of the “BREAK DOWN BREAK UP” mixdown in Ableton Live. Most DAW programs arrange music from left to right on the timeline, so the

Jan 11, 2022 · The big beat switch for the middle section of the song (1:36 - 2:22) suits this purpose of giving ears a breather as well. I indulge in some of the random sample-tossing that we’re definitely gonna talk more about with “Sound Effects Record No. 27” and “Don’t Stop Now!