Productions take very different approaches to the central symbol of this epic cycle, treating Wagner with daring freedom.
Performances in N.Y.C. Advertisement Supported by The conductor Nathalie Stutzmann led Lorin Maazel’s coolly efficient 1987 distillation, “The ‘Ring ... using only Wagner’s notes.
Wagner wanted his music dramas to be total art works which combined the worlds ... the second of the four operas that make up Der Ring des Nibelungen or The Ring Cycle. The whole thing took ...
Wagner wanted his music dramas to be total art works which combined the worlds ... the second of the four operas that make up Der Ring des Nibelungen or The Ring Cycle. The whole thing took ...