Whistler’s paintings were first compared to music in 1863 when the French critic Paul Manz described his haunting portrait, ...
A few years earlier Whistler had exhibited another view of the Thames, Nocturne: Blue and Silver – Chelsea (1871), at the Dudley Gallery in London. The critic for The Times summed up Whistler's ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results