This story contains spoilers for The Substance ... Fargeat watches as Qualley films Monstro Elisasue’s final act.

and Coralie Fargeat’s Oscar-nominated The Substance is no exception. The film’s makeup lead recently opened up about the intricate process behind designing Monstro Elisasue, the haunting yet ...

The Substance's Coralie Fargeat had to scale mountains to bring her original vision to life, ultimately receiving five Oscar ...

“The Substance,” “Wicked.” and “The Last Showgirl” were the big winners at the 12th annual MUAHS Guild Awards, held at The ...

In “The Substance,” writer-director Coralie Fargeat ... the women’s ghastly fusion into “Monstro Elisasue.” When he was working on the design, Persin kept in mind that Fargeat wanted ...

Speaking to Metro at the event, makeup artist Pierre Olivier Persin took it ‘as a compliment’ that film editor Tori Brazier dubbed the film the most disgusting thing she’d ever seen. ‘Designing ...

Persin keeps the body of the Monstro in his workshop basement and says that it smells as pungent as it did on set. “It smells like the set of The Substance – just lots of chemicals and latex.

She kept repeating to me one line from the movie when Monstro says ... along with a feeling of euphoria during the film's final moments, is effectively conveyed through the incredible prosthetic ...

This story contains spoilers for The Substance). When talking about ... Fargeat watches as Qualley films Monstro Elisasue’s final act. Matthew Lawrence Says Gabrielle Union ‘Reported Me ...

Monstro Elisasue, the backfired product of Sue re-administering the initial Substance activator ... I remember she was at the workshop and she saw one of the final mark-ups for the heads. She grabbed ...