While sisu, of course, referred to Aatami, it could also be used to describe the captured women who were freed in the latter part of the film. As subjugated prisoners who were even used as pawns ...

Sisu gets off to a really bad start ... Forever," because the films are about two very different women who bring out the best in each other.

The film begins with on-screen text telling us that “sisu” is a Finnish word for which ... They have kidnapped several young women and seem gleeful in their evil. At first they let Aatami ...

The women who are with Aino ... That doesn’t happen in Sisu but that concept is on hand all throughout the film when considering the character of Aatami who has nothing left in his life except ...

At the start of the Nazi bloodletting that is Jalmari Helander’s Sisu, we’re presented with a working definition of the film’s untranslatable ... captured comfort women from the back of ...

The Nazis have a trike and a tank and a couple of trucks, one of which has captive women in the back ... vibe of any number of B-movies, and you’ve got Sisu. Performance Worth Watching: Tommila ...