It is easy to spot a continuity person on set, as they usually sit with a wide lever-arch file containing the script on their lap, in front of their own monitor, often with a camera around their neck.

A friend was the UPM, she sent me the script, it was a $10 million 24-day shoot, new director. When I read the script, it was the best script I every read, and to this day, it still is. We sat for 20 ...

Brief description from YouTube: "Martin Scorsese's long-time script supervisor shows how to create continuity in movies." Pinson's career as a script supervisor began in 1980 with her first job ...

Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...

As much as I dread non-linear narratives as a script and continuity supervisor, as a viewer, they’re my one true love. It’s true that these films demand more attention and focus than the regular three ...

As a male script supervisor, he was teased a lot on the set. They called him "script girl," a common term in those days. In addition to Ford, he worked for directors William Wyler and George Stevens.

Special Series The 80th Annual Academy Awards When Continuity Counts, Call a Script Girl — Er, Guy February 21, 200812:00 AM ET Heard on Morning Edition Susan Stamberg ...

When Continuity Counts, Call a Script Girl — Er, Guy By Susan Stamberg Published Feb 20, 2008 9:00 PM ...