“We wanted to keep the majesty of the creature as it flows through sand,” says VFX supervisor Paul Lambert ... The harrowing scene culminates with the monster staring directly into Paul ...

All he had to do was swap out the sand color for whatever building ... It gave Lambert the ability to create a seamless VFX shot (there were more than 2,000 of those on Dune), and Villeneuve ...

it was the sand around the worms that proved to be the most challenging to create. When it came to designing those monstrous, iconic sandworms, the good news for the VFX team is that Denis ...

And a new behind-the-scenes video from Lucasfilm’s Industrial Light & Magic shows how it blended both old and new VFX ... sand. But it also had to make a realistic-looking sand monster.

The stars of Capcom’s incredibly successful video game franchise Monster Hunter have always been ... I also want to touch on the sand. I mean in the film it kind of acts like water, with the ...

Writer, director and VFX supervisor Takashi Yamazaki and his team triumphed over four Hollywood tentpoles to win the VFX category with a monster movie that cost only $15 million to make.