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Joseph Kosinski had one instruction for the sound team behind his latest feature “F1": It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...
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Autosport on MSNHere's what Ferrari is targeting with its F1 Austrian GP floor upgradesThis specifically relates to the floor 'edge wing', i.e. the small flick-up situated behind the front, outer fence. It's only ...
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Legit.ng on MSNHow F1 engines work and their evolution from V10S to hybrid power unitsCurious about how an F1 engine works? Discover the cutting-edge engineering behind the world’s fastest cars in this quick and fascinating breakdown.
Red Bull's F1 Academy car has a bespoke look for the Canadian Grand Prix weekend, which reflects the all-female series' aims ...
Being in the car, in a theatrical environment, especially the F1 car, is a new thing. We’ve seen other racing movies with other types of cars. Joseph wanted to feel like we were at the races.
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