Every actor—whether they’re five years old or 95—should have a minimum of two monologues (one comedic, one dramatic) in their back pocket for a last-minute request from casting or a meeting ...

It’s relatable: A good one-minute monologue should be relatable for the teen actor, tailored to the unique experiences and challenges of adolescence. It portrays a strong point of view: The ...

That’s not so easy to do; several other monologues in “One Room” fizzle on their way toward attempts at catharsis, perhaps the result of working too hard in too little space. Monologues ...